Album Covers Which Are Pure Art - DailyArtDaily.com
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Published on June 11th, 2017 | by Magda Michalska

Album Covers Which Are Pure Art

Every serious music fan will recognize the merits of the following albums for the developments in history of contemporary music. But… will they know that they were also groundbreaking for the history of art as they documented how closely the two worlds of music and visual arts permeated each other and served as sources of reciprocal inspiration. Are you ready for a dose of album covers art?

Surrealist wallpaper

Salvador Dalí, Lonesome Echo,1955, Source: Art tribune, album covers art

Salvador Dalí, Lonesome Echo,1955, Source: Art tribune

Ever heard of Jackie Gleason? John Herbert ‘Jackie’ was an American comedian, actor, musician and writer. He produced ‘mood music’ which was meant to serve as a “musical wallpaper that should never be intrusive, but conducive”. He stated that love scenes in movies were “magnified a thousand percent” by background music. I definitely wouldn’t mind having this cover made by Salvador Dali as a wallpaper.

Rock the banana

 

Andy Warhol, Velvet Underground&Nico, 1967, Source: MOOC Magazine!, album covers art

Andy Warhol, The Velvet Underground&Nico, 1967, Source: MOOC Magazine!

The album cover for The Velvet Underground & Nico (1967) is recognizable straightaway for featuring a typical Andy Warhol print of an ordinary object. Apart from the immediate sexual connotations of the banana, early copies of the album invited peel back the banana skin which revealed a bright pink-colored banana underneath. The cover said: “Peel slowly and see”.

Most famous album sleeve of all times?

Peter Blake, Sgt. Pepper's Lonely Hearts Club, 1967, Sourve: V&A , album covers art

Peter Blake, Sgt. Pepper’s Lonely Hearts Club, 1967, Sourve: V&A

What an iconic album it is (in terms of both music and art!)! Sgt. Pepper’s Lonely Hearts Club Band by The Beatles from 1967 was designed by a British Pop artist Peter Blake. The image on the album cover is composed of a collage of 88 different figures, many of them celebrities and artists (Brian Epstein, the band’s manager, had to locate each person in order to get permission to use their image in this context before the release of the album). Blake and his wife Jann Haworth constructed the set themselves by making the life-sized cut-outs of historical figures, and the finished set was photographed, with the band members standing in the centre, by Michael Cooper.

Spinning Grammy

Robert Rauschenbergo, Speaking in Tongues, 1983, Source: Beach Packaging Design, album covers art

Robert Rauschenberg, Speaking in Tongues, 1983, Source: Beach Packaging Design

The Neo-dada artist Robert Rauschenberg is probably the only artists who won a Grammy Award! He received it for the characteristic collage design of this cover, which however was only a limited-edition LP version of the Speaking in Tongues 1983 album by Talking Heads. The collage includes a wrecked car, a suburban bedroom and a highway billboard which spun would produce various visual effects.

Together for a single

Keith Haring, Without you, 1983, Source: WideWalls

Keith Haring, Without you, 1983, Source: WideWalls

Mostly a street artist, Keith Haring was asked by David Bowie to design the record sleeve for his single Without You which was later that year included on the album Let’s Dance. The cover features Haring’s characteristic genderless and faceless figures which make his message universal and immediately understood by everyone.

Flies are always with you

Damien Hirst, I'm with You, 2011, Source: NME.com, album covers art

Damien Hirst, I’m with You, 2011, Source: NME.com

Red Hot Chili Peppers commissioned the controversial British artist Damien Hirst to produce the cover for their tenth studio album I’m With You. It manifests Hirst’s obvious love of pharmaceuticals and their connotations to our contemporary society and the universality of death. As the band’s singer Anthony Kiedis explained: “It’s art. Iconic. We didn’t give it its meaning but it’s clearly open to interpretation”. Hirst and RHCP became friends after this collaboration: the band performed at the opening of Hirst’s exhibition in Venice this year (it was an exclusive mini-concert, kept secret till the opening).


About the Author

Magda, an art historian-to-be, she writes about art because she cannot make it herself. She loves committed and political artists like Ai Wei Wei or the Futurists; like Joseph Beuys she believes that art can change us and we can change the world.



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