Painting Human Desire For Happiness - Klimt's Beethoven Frieze - DailyArtDaily.com
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Published on June 6th, 2017 | by Zuzanna Stanska

Painting Human Desire For Happiness – Klimt’s Beethoven Frieze

When we think of Gustav Klimt we see beautiful women portraits, sensual and dangerous compositions, gold and decorative motifs.

But if you have ever been to the famous building of Vienna Secession building (which is now a gallery of contemporary art) you can also think of a huge gorilla in a turban.

Klimt Beethoven Frieze

Gustav Klimt, Beethoven Frieze, 1902 (detail), Secession Building, Vienna, Austria

The gorilla is not an animal – it is a mythological giant, Typhoeus. He is a part of a large frieze, called the Beethoven Frieze. It was painted in 1902 for the 14th Vienna Secessionist exhibition in celebration of the composer, and featured a monumental polychrome sculpture by Max Klinger. Based on Richard Wagner’s interpretation of Beethoven’s Ninth Symphony, it marks the beginning of Klimt’s “golden period”. Meant for the exhibition only, the frieze was painted directly on the walls with light materials. It’s large, standing at 7 feet high with a width of 112 feet. The entire work weighs four tons.

Installation Team for Beethoven Freize Klimt Beethoven Frieze

Installation Team for Beethoven Frieze. It’s easy to spot Gustav!

The exhibition was a sublime realisation of the Gesamtkunstwerk in which the different arts – architecture, painting, sculpture and music – were united under a common theme.

Klimt Beethoven Frieze The Secession building in Vienna, 1898

The Secession building in Vienna, 1898

After the exhibition the painting was preserved, and in 1915 it was sold to a Jewish industrialist, August Lederer. In 1938, much of Mr. Lederer’s art collection, including the frieze, was seized by the Nazis but it came back to it’s place in 1986. In this horrible times it was a stroke of luck that it survived. Look how the Secession building looked like in 1945:

Klimt Beethoven Frieze Secession building in Vienna in 1945

Secession building in Vienna in 1945

But coming back to the Frieze.

What is it about? Of course, it’s about music. It illustrates the human desire for happiness in a suffering and tempestuous world in which one contends not only with external evil forces but also with internal weaknesses. The viewer follows this journey of discovery in a stunning visual and linear fashion. It begins gently with the floating female Genii searching the Earth

Klimt Beethoven Frieze Gustav Klimt, Beethovenfries (Detail): Poesie

Gustav Klimt, Beethoven Frieze, 1902 (detail): Poesie, Secession Building, Vienna, Austria

but soon follows the dark, sinister-looking storm-wind giant, Typhoeus, his three Gorgon daughters and images representing sickness, madness, death, lust and wantonness above and to the right.

Klimt Beethoven Frieze the-hostile-forces-the-beethoven-frieze-klimt-1902

Gustav Klimt, Beethoven Frieze, 1902 (detail), Secession Building, Vienna, Austria

Thence appears the knight in shining armour who offers hope due to his own ambition and sympathy for the pleading, suffering humans. The journey ends in the discovery of joy by means of the arts and contentment is represented in the close embrace of a kiss.

Klimt Beethoven Frieze

Gustav Klimt, Beethoven Frieze, 1902 (detail), Secession Building, Vienna, Austria

Thus, the frieze expounds psychological human yearning, ultimately satisfied through individual and communal searching and the beauty of the arts coupled with love and companionship.

Klimt Beethoven Frieze

Gustav Klimt, Beethoven Frieze, 1902, Secession Building, Vienna, Austria

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About the Author

Art Historian, huge fan of Giorgione or Jean-Auguste-Dominique Ingres. Founder and CEO of DailyArtDaily.com and DailyArt mobile app. But to be honest, her greatest accomplishment is being the owner of Pimpek the Cat.



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